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The Orcs |
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"... Then there was an echoing blast: a great horn was blown in the hall, and answering horns and harsh cries were heard further off. There was a hurrying sound of many feet. ..." |
J.R.R.T, The Lord of the Rings;
The Fellowship of the Ring, Book II,
"The Bridge of Khazad-Dum"
When I picked out the orc and troll miniatures I had a few things in mind. First, I wanted them to be running as if full of determination not to cross the balrog and to bear down on some unknown enemy ahead of them and outside the scene. Secondly I wanted those closest to the balrog to be looking as if covering for it while still keeping a good pace. Third I wanted them to look culturally coherent as if they were from the same tribe. Chris Tubb at Mithril Miniature has written a couple of outlines on how he pictures orcs in different parts of Middle Earth.
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When I paint orcs I have ever since I started doings so
given them a dark greyish brown skin. Orcs can probably
be imagined to be in any color from pale grey to completely
black (especially the uruk-hai), and they were probably not
even consistently colored. I have chosen to paint them the
same since it often has the best effect if you want to make
them look as if they belong to one unit. (That's of course
the fancy explanation; it's also because it takes less time
to paint them that way.) When painting orc garments one has
to think one or two times before setting out to do so. In my
imagination orcs wear an assortment of filthy rags and half
decomposed fur and care little about fashionable colors. This
means most of them will be in drab colors like browns, greys and
black. The problem is that if these colors lay very close to each
other on the color scale and if not chosen and lain out carefully
the miniature will look very dull and uninteresting. So what you
should do is to choose alternatively lighter and darker colors so
that the garments bordering to each other and the skin contrast. An
example could be to paint the hood of an orc in light khaki, the
harness in dark brown leather with a light grey, wolf pelt loincloth.
The light khaki will then frame the darker face, the wolf fur will line
the harness and contrast against the dark arms and legs. I think Chris
Tubb has made a very good job when sculpting his orc
armor. In the Hobbit the following is said about
goblins:
"They make no beautiful things, but they make many clever
ones. They can mine as well as any but the most skilled dwarves,
when they make the trouble, but they are usually untidy and dirty.
Hammers, axes, swords, daggers, pickaxes, tongs and also instruments
of tortures they make very well, or make other people to make to their
design, prisoners and slaves that have to work till they die for the want
of air and light."
Chris' orcs have crude but apparently efficient armor
and weapons. These torn ring shirts, dangling metal plates and iron bands
also helps to add some contrast and interest to the miniatures, if painted
and highlighted in appropriate metals. I allow myself to paint certain minor
items, like the sheets and handles of daggers and pouches a little brighter
just to add a splash of color and contrast.
I find it likely that orc chieftains reach their position through brute force
and evil cunning, and these power allowed them (in a rather Darwinistic way)
the pick of the armor and loot. The orc chieftain seen in these pictures has
unlike the others an iron helm and was also given a dirty red cloak and a
snow leopard loincloth to further denote his rank. I have no reference to the existence
of snow-leopards in the Misty Mountains, so it is my personal contribution
to the Middle Earth fauna.
Go to: ["Moria: Architecture"] ["Moria: 'Durin's Bane'"]